![]() ![]() 1950), and the first two movements ( Tempo di Ciaccona and Fuga) of Bartók's Sonata for Solo Violin (first perf. He produced several piano transcriptions, including a fantastically difficult arrangement of The Sorcerer's Apprentice by Dukas (pub. Importantly, "On Piano Playing" corrects these common misconceptions: pianists only play with their fingers and only a few have the physical ability to play the piano.Ī manuscript of a book on his mentor Béla Bartók and his music remains unpublished. Sándor emphasized the use of gravity, an endless source of energy, during playing. "On Piano Playing" details approaches to many problems that pianists face. "Today more than ever, audiences mistake the excessively tense muscular activities of the performer for an intense musical experience, and all too often we see the public impressed and awed by convulsive distortions and spastic gyrations." Writing in The Guardian newspaper, Leo Black commented "musical performance desperately needs the sense of rightness, completeness and economy that pervaded his playing and thinking". He wrote a book "On Piano Playing: Motion, Sound, Expression", published by Schirmer Books, which is one of the most rational and clear accounts of piano technique. In 1996 New York University awarded Sándor an honorary doctorate. Kelly, and composers Ezequiel Viñao, and Donald Bohlen. His pupils included Hélène Grimaud, Deniz Arman Gelenbe, György Sebők, Aleksandra Romanić, Christina Kiss, Barbara Nissman, Ian Pace, Ljuba Moiz, Jungwon Jin, Derek Wieland, Charis Dimaras, fortepiano performer Malcolm Bilson, renowned teacher, Dr. He continued to teach and perform into his nineties. ![]() Sándor taught at the Southern Methodist University, then at the University of Michigan from 1961 to 1981, and from 1982, at the Juilliard School. They had one son, Michael, and were divorced. In 1950 he married Christa, née Satzger de Bálványos, the divorced wife of Archduke Karl Pius of Austria. Then with Vox, he recorded the complete works for solo piano of Zoltán Kodály and of Sergei Prokofiev and the complete piano works of Béla Bartók for the latter he won the Grand Prix du Disque of the Charles Cros Academy in 1965. Initially he recorded numerous piano works by Bach, Beethoven, Brahms, Chopin, Liszt, Rachmaninov, Schumann and others for Columbia Masterworks. His technique was described as "Lisztian" and his repertoire universal, although later in his career his playing of Bartók was much in demand. The performance was repeated on 26 February 1946 by the same ensemble in Carnegie Hall, New York, and recorded for Columbia Masterworks in April 1946.įollowing World War II, he returned to the concert stage. 3 on 8 February 1946 with the Philadelphia Orchestra conducted by Eugene Ormandy in Philadelphia, Pennsylvania. Sándor played the premiere of Bartók's Piano Concerto No. Sándor remained friends with Bartók throughout his life, and was one of only ten people who attended Bartók's funeral in 1945. He became an American citizen and served in the Army Signal Corps and the Intelligence and Special Services from 1942 to 1944. He toured as a concert pianist through the 1930s, making his Carnegie Hall debut in 1939. He studied at the Liszt Academy in Budapest under Béla Bartók and Zoltán Kodály, and debuted as a performer in 1930. György Sándor ( Hungarian pronunciation: 21 September 1912 – 9 December 2005) was a Hungarian pianist and writer. The native form of this personal name is Sándor György. This article uses Western name order when mentioning individuals.
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